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| Marinai, 2012 |
Franco Marinai continues his epic program of deconstructing our ideas of time and its portrayal that he first showed us in March of this year with his groundbreaking work in color chrono-photography. He is closing in on his goal of isolating the fixed point of time, its fulcrum. By scaling back to a black-and-white representation, his current strategy, he is able to abstract motion and therefore time yet further, reducing it to what amounts to a spare, defining beauty of pure marks and markers. It doesn’t help to know that underlying these are trivial or prosaic acts like walking, climbing steps, eating, biking. Forget that he uses a medium format camera modified with the addition of a variable speed motor. Forget even that he uses a camera at all. These marks are gestures for both the unraveling of time, and for its concentration. They are black holes, and like all black holes they command our acute attention.
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| Marinai, 2012 |
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| Marinai, 2012 |
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| Marinai, 2012 |
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| Marinai, 2012 |
Franco is in the process of collecting these images, numbering almost 100, into a limited-edition book of photogravures for which he will undertake the monumental task of printing himself from copper plates in his Manhattan studio. It will be entitled The Motion of the Wheel and Other Spins. Those interested may contact him directly at www.marinai.com for further details.
