tag:blogger.com,1999:blog-3058180378437995577.post3868555690564354242..comments2023-08-22T06:37:59.379-04:00Comments on nonfigurativephoto: The medium and the messagedcollinshttp://www.blogger.com/profile/13211802069564554414noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-3058180378437995577.post-35736504388984280712013-10-03T10:17:05.969-04:002013-10-03T10:17:05.969-04:00Greetings Doug and Rich from the ongoing chemigram...Greetings Doug and Rich from the ongoing chemigram workshop in Virginia City, NV at St. Mary's Art Center. We are now working with these very substances that you have mentioned. Another acrylic floor finish that deserves investigation is the First Street Super Crylic Floor Finish usually found at Fast and Final stores. We tried some yesterday on 1953 Kodak Medalist Paper. Beautiful colors from this old paper and I'm convinced that photo paper was more silver rich in those days. Nolan Preecehttp://www.nolanpreece.comnoreply@blogger.comtag:blogger.com,1999:blog-3058180378437995577.post-51617081045248375982013-10-01T22:06:35.235-04:002013-10-01T22:06:35.235-04:00Rich's new post is a fine example of the head-...Rich's new post is a fine example of the head-scratching, ruminative and very observant approach required by chemigramists and others whose work depends on processes that lie, in their deepest aspects, essentially beyond our control. We can only try things, then describe what happens - and take notes. We learn by guessing and doing. Thanks Rich for sharing this.dcollinsnoreply@blogger.com